My wife's grandfather, William Kraemer worked on construction of the terra cotta
architecture ornamentation of the building. He had been employed by Atlantic Terra Cotta Company, the firm that created all of the ornamentation, where he modeled and made architectural elements. As an expert in the materials, Atlantic Terra Cotta, assigned him to the project as the superintendent or foreman for the installation.
An original terra cotta decorative ornament from the Woolworth Building, created by the Atlantic Terra Cotta Company.
A floor plan of the Woolworth Building, from my wife's private collection, now on loan at the Skyscraper Museum. This plan is approximately five feet long.
Later, he and his son, my
wife's dad W. Frank Kraemer, started a building maintenance firm, Remark Building Services, Inc. They launched the business in the depths of the depression with the Woolworth
Building as their first big client. For the next 50 years, their firm
maintained and cleaned the exterior of the building. My wife's brother, Jeffrey M. Kraemer,
worked on the building as well for nearly half his life. He was
immortalized on the famous Red Grooms sculpture "Ruckus
Manhattan," poised high about the street on scaffold.
An original terra cotta element from the Woolworth Building.
A terra cotta ornament in pristine condition. I'm not sure if this was a sample or a spare. It was clearly never installed and exposed to the elements.
A very rare group of orginal monographs about the Woolworth Building. We have several of these in my wife's personal collection. I'm not sure if the one pictured here is from her collection or not.
The Woolworth Building @ 100
From the museum's official website:
"In 1913, the “Cathedral of Commerce”–the great Gothic tower of
five-and-ten-cent store king Frank W. Woolworth and his architect Cass
Gilbert–became the dominant silhouette on the New York skyline and
took the title of world’s tallest office building.
"At 792 feet to the tip of its spire, the skyscraper was a marvel
of early 20th-century technology and a masterpiece of the
architectural arts. The Skyscraper Museum's centennial celebration
examines the many dimensions of the skyscraper’s novelty and the
achievements of its designers and builders–from the advanced
technology of its engineering and construction to the extraordinary
abundance and intricate variety of its handmade terra-cotta ornament.
"Architect Cass Gilbert, who once defined the skyscraper simply
as "a machine to make the land pay," aspired to elevate his
building beyond the realm of real estate to the status of a civic
monument. Over the engineer's robust steel skeleton, Gilbert draped a
terra-cotta curtain wall of enormous intricacy and invention. He and
his office of draftsmen indulged in a panoply of ornament designed for
the commission and created in clay by a small army of artisans. More
than 7500 tons of cream-colored glazed terra cotta, with accents in
bright hues graced the façade. In the soaring lobby, the medieval
theme played out in opulent marbles, colorful mosaic vaults, amusing
corbel sculptures, and elevator doors that imitated confessionals.
"A masterpiece of early 20th-century art and technology, the
Woolworth Building celebrates its centennial year in the process of
conversion, with office space remaining below and luxury residences
planned for the upper tower. Still radiant on the lower Manhattan
skyline, the landmark heralds both the past and future of New
York."
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